A few decades after the destruction of the Inca empire, a Spanish expedition leaves the mountains of Peru and goes down the Amazon river in search of gold and wealth. Soon, they come across great difficulties and Don Aguirres, a ruthless man who cares only about riches, becomes their leader. But will his quest lead them to "the golden city", or to certain destruction?
A small village is renowned for its "Ruby Glass" glass blowing works. When the foreman of the works dies suddenly without revealing the secret of the Ruby Glass, the town slides into a deep depression, and the owner of the glassworks becomes obssessed with the lost secret.
Through examining Fini Straubinger, an old woman who has been deaf and blind since adolescence, this film shows how the deaf and blind struggle to understand and accept a world from which they are almost wholly isolated.
The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature of fully liberating the human spirit, as both commendable and disturbing elements of our nature come forward. The film shows how justifiable revolt may be empowering, but may also turn to chaos and depravity. The allegory is developed in part by the fact that the film is cast entirely with dwarfs.
1984 documentary film directed by Werner Herzog about children soldiers in Nicaragua. The film focuses on a group of Miskito Indians who used children soldiers in their resistance against the Sandinistas.
Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828, barely able to speak or walk, and bearing a strange note; he later explained that he had been held captive in a dungeon of some sort for his entire life that he could remember, and only recently was he released, for reasons unknown. His benefactor attempts to integrate him into society, with intriguing results.
Everything in town appears calm, placid, lovely. But Woyzeck, a rifleman assigned as an orderly, hears voices -- the times are out of joint, at least in his cosmos. To his captain, Woyzeck is a comic marvel: ignorant but courageous, full of energy to little purpose. To a local doctor, Woyzeck is a curiosity, the object of cruel study. Woyzeck, 40, has a young wife, Marie, and a small child. He dotes on them, but Marie, even though she has periods of guilt and remorse, carries on affairs and flirtations. When the captain lets drop broad hints of Woyzeck's being a cuckold, his inner demons and the voices of the spheres take over. Will madness bring action? Of what sort?